The English language has a lot of problems inherent in it and that is what makes it so cute. However, it causes a lot of problems for those who learn it as a second language. Isn't amazing that some of the learning problems is seen only in those who learn English and still we think they are school problems or the children's problems? In a world like ours where even sickness is seen as a potential market, there is more chance for a child to be learned dyslexic. If the diagnosis is a farce, the treatment that follows is a comedy of errors. Instead of letting the children find our what they are strong in, they are made aware of their weaknesses using snake oil therapies. Some children are proud of their problems since it guarantees them some initial attention. Some other see a potential excuse for not doing the homework. Some day the school gets fed up of them and leaves them to swim or sink, mostly sink.
Showing posts with label education. Show all posts
Showing posts with label education. Show all posts
Saturday, 6 September 2014
Writing Movie Reviews
Movie is typically a modern-day art form and it encompasses most of the other art forms, like music, literature, fine arts, theatre and dance.
Movie reviews of all sorts are available on the net and take a look at them. Great movies have been reviewed by great movie critics and such reviews are also available.
Writing a movie review is very much like a writing a book review. There are some differences in the aspects.
Steps: Read whatever is available about the movie or the movie makers and his crew before you see the movie. See the movie at least twice and take down notes regarding the different aspects like:
Introduction: Name of the movie, director, production company and the main actors
First paragraph
- Theme
- Plot and the script
- Characters
- Dialogues
Second paragraph
- Cinematography
- Lyrics
- Music
- Dance
Third paragraph
- Technical Details: Sets, location, costumes, lighting, sound recording make-up, side effects and stunt scenes
Concluding paragraph
- Popularity and critical acclaim
Monday, 21 April 2014
Why can I write?
True, this is a correct sentence. But
something at the back of our mind tells us that something is not right. The
question looks right if we use ‘can’t’ instead of ‘can’, right? There we have
some clue to the strange sound of the title. When we can’t we want to know why
and we ask why. When we can, we simply take the ability for granted. We never
bother to ask why we can do something. When we can, we don’t want to know why
we can, but how we can. Obviously it is a different question demanding a
different answer.
This is a question that we should encourage
the writers to ask themselves. They might be able to come up with some answers.
I asked this question to myself recently though I can’t claim to be a writer of
any notability or notoriety. But there is something that those who know me have
figured out about me. I love writing. To me, the key board of the computer is
better than that of the piano and for audible reasons too. I love to hear the
tapping sound on the keyboard and surely, I have a preference for certain well
sounding keyboards. After I learned touch typing, the sound of each key seems
to be chasing each other with the backspace key coming in between and wiping it
all out like a green monster in a child’s video game.
There, almost 250 words already and I have
not said anything I intended to say. I am relishing it, revelling in it. I also delete a lot of what I type, like a
child making sand castles.
But the question remains. Why can I write,
well or ill, while many can’t. Why am I different? Is it an ability to be proud
of, a difference to be put right or a disability to be made use of? I asked
this question to myself one of these days and came up with several reasons.
I write because I can. I can because I don’t
fear. Growing up with people who didn’t know much English and among books which
never had the guts to point out my errors, though they themselves were
impeccably error-free, I was never a singed cat. I learned a little bit of
grammar from a favourite teacher at school, just enough not to be laughed at.
Nobody took the pain of making me feel bad about the errors. I corrected myself
when I found that I didn’t mean what I had said and hadn’t said what I meant. I
think the unsinged cat says it all.
And there is the passion too. There is music
in the words, apart from the tapping of the keys. This is not new knowledge to
anyone. Everyone knows there is something in writing like humming an old song.
But there is many a slip between the cup and the lip. Something inhibits their
motivation, external or internal, to write. They do want to write and many
satisfy themselves by talking or talking about the writing they are going to
do. As I see it, it is just the fear of standards we set for ourselves or we
let other set for us that prevent us from playing on this Apollo’s harp which
can raise not just cities but an entire world, the Middle Earth for one.
Thus I believe that the magic potion that
makes a prolific writer out of any kid we meet is nothing but our forbearance
or shedding of our fastidiousness. When we think of the occasions when we
correct them, if it is an honest introspection, we may find new answers. Were
we trying to show them an error or show off our knowledge? Pedagogue of
pedantic?
We should try to see a child’s writing just
the way we see his drawing. It is not correct. But then his drawing is not
realistic either, though he intended it to be. Bear with them. Let it come. Let
it gush out and remove the clogging in the conduit. Let it come out in quantity
and then we can work on its quality and accuracy. That is, if it has not gained
them by then and in all probability it would have.
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